Core Colours
A collection of 16 glorious colours; these high pressure laminates have a rich, even tone and a delicate sheen. If you associate laminate with a plastic feeling surface of yesteryear be prepared to have those notions utterly dispelled. These modern materials are a far cry from their mid-century forefathers and mothers, standing on the shoulders of these design giants, these contemporary colours are soft to touch and durable too.
Our spectrum includes warm, neutral and bold shades and as a homage to our hood Pluck’s colours are named after local places around our studio and workshop in South London.


Regent Red
A rich, bold red, a combination of crimson and oxblood.


Cambria Red
A burnt orangey-red, with terracotta tones just a little more vivid.


Ritzy
A playful peony, coral pink with a soft saturation.


Ruskin Blossom
Petal pink with a pastel, or chalky feel, sunlit blossom on a spring day.


Eccles
Cashmere, champagne, a beige with pink undertones, an adaptable neutral shade.


Old Dairy Yellow
Pale buttery yellow, camembert, brie and Époisses – cheesy too.


Hollingbourne Yellow
A burst of sunshine joy, a bright, vivid egg yolk yellow .


Market Mustard
Golden, mustard yellow with turmeric tones, good for the gut.


Half Moon White
A soft, chalky white with a touch of warmth, so very versatile.


Railton
A misty morning grey, beautiful, cool and calming.


Milton Blue
Akin to Wedgewood blue Jasperwear, a powdery sky blue.


Atlantic Blue
A petrol blue, that shade shifts with light.


Brockwell Moss
Khaki, olive, sage – the green shade is in the eye of the beholder.


Ferndale
Emerald green combined with a darker leaf green, so fresh.


Cold Harbour Grey
Slate, storm clouds and wet rocks, a dark brooding grey.


Bonnington Green
A classic, dark hue, evocative of forest or British racing green.
Core Colours
A collection of 16 glorious colours; these high pressure laminates have a rich, even tone and a delicate sheen. If you associate laminate with a plastic feeling surface of yesteryear be prepared to have those notions utterly dispelled. These modern materials are a far cry from their mid-century forefathers and mothers, standing on the shoulders of these design giants, these contemporary colours are soft to touch and durable too.
Our spectrum includes warm, neutral and bold shades and as a homage to our hood Pluck’s colours are named after local places around our studio and workshop in South London.

Regent Red
A rich, bold red, a combination of crimson and oxblood.

Cambria Red
A burnt orangey-red, with terracotta tones just a little more vivid.

Ritzy
A playful peony, coral pink with a soft saturation.

Ruskin Blossom
Petal pink with a pastel, or chalky feel, sunlit blossom on a spring day.

Eccles
Cashmere, champagne, a beige with pink undertones, an adaptable neutral shade.

Old Dairy Yellow
Pale buttery yellow, camembert, brie and Époisses – cheesy too.

Hollingbourne Yellow
A burst of sunshine joy, a bright, vivid egg yolk yellow .

Market Mustard
Golden, mustard yellow with turmeric tones, good for the gut.


Half Moon White
A soft, chalky white with a touch of warmth, so very versatile.

Railton
A misty morning grey, beautiful, cool and calming.

Atlantic Blue
A petrol blue, that shade shifts with light.

Milton Blue
Akin to Wedgewood blue Jasperwear, a powdery sky blue.

Brockwell Moss
Khaki, olive, sage – the green shade is in the eye of the beholder.

Ferndale
Emerald green combined with a darker leaf green, so fresh.

Bonnington Green
A classic, dark hue, evocative of forest or British racing green.

Coldharbour Grey
Slate, storm clouds and wet rocks, a dark brooding grey.








